| Play | Key Line | Modern Text | Original Text |
| All's Well That Ends Well | AW II.i.54 | true gait, eat, speak, and move, under the influence of | true gate; eat, speake, and moue vnder the influence of |
| All's Well That Ends Well | AW IV.v.49 | narrow gate, which I take to be too little for pomp to | narrow gate, which I take to be too little for pompe to |
| All's Well That Ends Well | AW IV.v.52 | flowery way that leads to the broad gate and the great | flowrie way that leads to the broad gate, and the great |
| Antony and Cleopatra | AC III.iii.17 | What majesty is in her gait? Remember, | What Maiestie is in her gate, remember |
| The Comedy of Errors | CE II.ii.216 | Come, sir, to dinner. – Dromio, keep the gate. – | Come sir to dinner, Dromio keepe the gate: |
| The Comedy of Errors | CE II.ii.227 | Master, shall I be porter at the gate? | Master, shall I be Porter at the gate? |
| The Comedy of Errors | CE III.i.48 | What a coil is there, Dromio! Who are those at the gate? | What a coile is there Dromio? who are those at the gate? |
| The Comedy of Errors | CE III.i.73 | Go fetch me something. I'll break ope the gate. | Go fetch me something, Ile break ope the gate. |
| The Comedy of Errors | CE V.i.165 | Go, some of you, knock at the abbey gate, | Go some of you, knocke at the Abbey gate, |
| Coriolanus | Cor II.ii.109 | The mortal gate of th' city, which he painted | The mortall Gate of th' Citie, which he painted |
| Coriolanus | Cor IV.i.47 | That's yet unbruised. Bring me but out at gate. | That's yet vnbruis'd: bring me but out at gate. |
| Cymbeline | Cym II.iii.19 | Hark, hark, the lark at heaven's gate sings, | Hearke, hearke, the Larke at Heauens gate sings, |
| Cymbeline | Cym III.iii.2 | Whose roof's as low as ours! Stoop, boys: this gate | Whose Roofe's as lowe as ours: Sleepe Boyes, this gate |
| Hamlet | Ham I.ii.31 | His further gait herein, in that the levies, | His further gate heerein. In that the Leuies, |
| Hamlet | Ham III.ii.31 | nor the gait of Christian, pagan, nor man, have so | nor the gate of Christian, Pagan, or Norman, haue so |
| Henry IV Part 1 | 1H4 III.i.129 | 'Tis like the forced gait of a shuffling nag. | 'Tis like the forc't gate of a shuffling Nagge. |
| Henry IV Part 2 | 2H4 I.i.1.1 | Who keeps the gate here, ho? | Who keepes the Gate heere hoa? |
| Henry IV Part 2 | 2H4 I.i.5 | Please it your honour knock but at the gate, | Please it your Honor, knocke but at the Gate, |
| Henry IV Part 2 | 2H4 II.iii.23 | He had no legs that practised not his gait; | He had no Legges, that practic'd not his Gate: |
| Henry IV Part 2 | 2H4 II.iii.28 | To seem like him. So that in speech, in gait, | To seeme like him. So that in Speech, in Gate, |
| Henry IV Part 2 | 2H4 III.ii.29 | break Scoggin's head at the court gate, when 'a was a | breake Scoggan's Head at the Court-Gate, when hee was a |
| Henry V | H5 I.ii.201 | Their heavy burdens at his narrow gate, | Their heauy burthens at his narrow gate: |
| Henry VI Part 1 | 1H6 I.iv.66 | I think at the north gate; for there stands lords. | I thinke at the North Gate, for there stands Lords. |
| Henry VI Part 2 | 2H6 III.i.373 | In face, in gait, in speech, he doth resemble; | In face, in gate, in speech he doth resemble. |
| Henry VI Part 2 | 2H6 IV.x.22 | And sends the poor well pleased from my gate. | And sends the poore well pleased from my gate. |
| Henry VI Part 3 | 3H6 I.iv.177 | Open Thy gate of mercy, gracious God! | Open thy Gate of Mercy, gracious God, |
| Henry VI Part 3 | 3H6 III.ii.119 | And brought your prisoner to your palace gate. | And brought your Prisoner to your Pallace Gate. |
| Henry VIII | H8 I.iii.18.1 | That's clapped upon the court gate. | That's clapt vpon the Court Gate. |
| Henry VIII | H8 III.ii.116 | Springs out into fast gait; then stops again, | Springs out into fast gate, then stops againe, |
| Julius Caesar | JC I.iii.132 | 'Tis Cinna; I do know him by his gait; | 'Tis Cinna, I doe know him by his Gate, |
| Julius Caesar | JC II.i.60 | 'Tis good. Go to the gate; somebody knocks. | 'Tis good. Go to the Gate, some body knocks: |
| King Edward III | E3 I.ii.112 | Hath driven war and danger from my gate. | Hath driuen war and danger from my gate. |
| King Edward III | E3 I.ii.124 | Being at the wall, enter our homely gate. | Being at the wall, enter our homely gate. |
| King Edward III | E3 I.ii.163 | When wisdom keeps the gate as beauty's guard? – | When wisedome keepes the gate as beuties gard, |
| King Edward III | E3 III.iv.85 | Cropped and cut down even at the gate of death: | Cropt and cut downe euen at the gate of death: |
| King Lear | KL I.iv.268 | Beat at this gate that let thy folly in | Beate at this gate that let thy Folly in, |
| King Lear | KL III.vii.16 | Hot questrists after him, met him at gate, | Hot Questrists after him, met him at gate, |
| King Lear | KL III.vii.62 | If wolves had at thy gate howled that dern time | If Wolues had at thy Gate howl'd that sterne time, |
| King Lear | KL IV.i.55 | Both stile and gate, horse-way and footpath, Poor | Both style, and gate; Horseway, and foot-path: poore |
| King Lear | KL IV.vi.237 | Good gentleman, go your gait and let poor volk | Good Gentleman goe your gate, and let poore volke |
| King Lear | KL V.iii.173 | Methought thy very gait did prophesy | Me thought thy very gate did prophesie |
| Love's Labour's Lost | LLL I.i.109 | Climb o'er the house to unlock the little gate. | That were to clymbe ore the house to vnlocke the gate. |
| Love's Labour's Lost | LLL IV.iii.183 | A gait, a state, a brow, a breast, a waist, | a gate, a state, a brow, a brest, a waste, |
| Love's Labour's Lost | LLL V.i.11 | eye ambitious, his gait majestical, and his general | eye ambitious, his gate maiesticall, and his generall |
| Macbeth | Mac II.iii.2 | hell-gate, he should have old turning the key. | Hell Gate, hee should haue old turning the Key. |
| Macbeth | Mac II.iii.19 | He opens the gate. Enter Macduff and Lennox | Enter Macduff, and Lenox. |
| Macbeth | Mac III.i.46 | They are, my lord, without the palace gate. | They are, my Lord, without the Pallace Gate. |
| Macbeth | Mac III.iii.13 | So all men do, from hence to the palace gate | So all men doe, from hence toth' Pallace Gate |
| Macbeth | Mac V.i.62 | To bed, to bed! There's knocking at the gate. | To bed, to bed: there's knocking at the gate: |
| Measure for Measure | MM IV.i.29 | And to that vineyard is a planched gate, | And to that Vineyard is a planched gate, |
| Measure for Measure | MM IV.v.9 | And bid them bring the trumpets to the gate; | And bid them bring the Trumpets to the gate: |
| The Merchant of Venice | MV I.ii.126 | before. Whiles we shut the gate upon one wooer, another | before; whiles wee shut the gate vpon one wooer, another |
| The Merchant of Venice | MV II.ix.86 | Madam, there is alighted at your gate | Madam, there is a-lighted at your gate |
| The Merchant of Venice | MV III.iv.83 | At the park gate, and therefore haste away, | At the Parke gate; and therefore haste away, |
| The Merry Wives of Windsor | MW I.iv.29 | and strut in his gait? | and strut in his gate? |
| The Merry Wives of Windsor | MW III.iii.59 | foot would give an excellent motion to thy gait in a | foote, would giue an excellent motion to thy gate, in a |
| A Midsummer Night's Dream | MND II.i.130 | Which she with pretty and with swimming gait | Which she with pretty and with swimming gate, |
| A Midsummer Night's Dream | MND III.ii.391 | Even till the eastern gate all fiery red | Euen till the Easterne gate all fierie red, |
| A Midsummer Night's Dream | MND V.i.358 | The heavy gait of night. Sweet friends, to bed. | The heauy gate of night. Sweet friends to bed. |
| A Midsummer Night's Dream | MND V.i.406 | Every fairy take his gait, | Euery Fairy take his gate, |
| Much Ado About Nothing | MA II.i.37 | No, but to the gate; and there will the devil | No, but to the gate, and there will the Deuill |
| Othello | Oth IV.ii.91.1 | And keep the gate of hell! | And keepes the gate of hell. |
| Othello | Oth V.i.23 | I know his gait; 'tis he. Villain, thou diest! | I know his gate, 'tis he: Villaine thou dyest. |
| Pericles | Per I.i.81 | That, knowing sin within, will touch the gate. | That knowing sinne within, will touch the gate. |
| Romeo and Juliet | RJ II.v.20 | Peter, stay at the gate. | Peter stay at the gate. |
| The Taming of the Shrew | TS induction.1.130 | Voice, gait, and action of a gentlewoman. | Voice, gate, and action of a Gentlewoman: |
| The Taming of the Shrew | TS I.ii.11 | Villain, I say, knock me at this gate, | Villaine I say, knocke me at this gate, |
| The Taming of the Shrew | TS I.ii.37 | I bade the rascal knock upon your gate, | I bad the rascall knocke vpon your gate, |
| The Taming of the Shrew | TS I.ii.39 | Knock at the gate? O heavens! Spake you not | Knocke at the gate? O heauens: spake you not |
| The Taming of the Shrew | TS I.ii.42 | now with ‘ knocking at the gate ’? | now with knocking at the gate? |
| The Taming of the Shrew | TS II.i.253 | As Kate this chamber with her princely gait? | As Kate this chamber with her princely gate: |
| The Taming of the Shrew | TS IV.ii.65 | In gait and countenance surely like a father. | In gate and countenance surely like a Father. |
| The Taming of the Shrew | TS V.i.15 | gate? | gate? |
| The Tempest | Tem IV.i.102 | Great Juno comes; I know her by her gait. | Great Iuno comes, I know her by her gate |
| Timon of Athens | Tim II.i.10 | And able horses. No porter at his gate, | And able Horses: No Porter at his gate, |
| Timon of Athens | Tim V.iv.73 | Pass by and curse thy fill, but pass, and stay not here thy gait. | Passe by, and curse thy fill, but passe and stay not here thy gate. |
| Titus Andronicus | Tit IV.ii.35 | It did me good before the palace gate | It did me good before the Pallace gate, |
| Troilus and Cressida | TC I.i.55 | Her eyes, her hair, her cheek, her gait, her voice; | Her Eyes, her Haire, her Cheeke, her Gate, her Voice, |
| Troilus and Cressida | TC III.iii.121 | The voice again; or, like a gate of steel | The voyce againe; or like a gate of steele, |
| Troilus and Cressida | TC IV.v.14 | 'Tis he; I ken the manner of his gait. | 'Tis he, I ken the manner of his gate, |
| Twelfth Night | TN I.iv.15 | Therefore, good youth, address thy gait unto her. | Therefore good youth, addresse thy gate vnto her, |
| Twelfth Night | TN I.v.94 | Madam, there is at the gate a young gentleman | Madam, there is at the gate, a young Gentleman, |
| Twelfth Night | TN I.v.112 | gate, cousin? | gate Cosin? |
| Twelfth Night | TN I.v.121 | gate. | gate. |
| Twelfth Night | TN I.v.257 | Make me a willow cabin at your gate, | Make me a willow Cabine at your gate, |
| Twelfth Night | TN II.iii.150 | his leg, the manner of his gait, the expressure of his eye, | his legge, the manner of his gate, the expressure of his eye, |
| Twelfth Night | TN III.i.80 | I will answer you with gate and entrance. | I will answer you with gate and entrance, |
| Twelfth Night | TN V.i.392 | 'Gainst knaves and thieves men shut their gate, | Gainst Knaues and Theeues men shut their gate, |
| The Two Gentlemen of Verona | TG III.i.252 | Come I'll convey thee through the city gate; | Come, Ile conuey thee through the City-gate. |
| The Two Gentlemen of Verona | TG III.i.361 | for thee at the Northgate. | for thee at the North gate. |
| The Two Noble Kinsmen | TNK I.ii.45 | Affect another's gait, which is not catching | Affect anothers gate, which is not catching |
| The Winter's Tale | WT IV.iv.727 | Hath not my gait in it the measure of the court? | Hath not my gate in it, the measure of the Court? |