| Play | Key Line | Modern Text | Original Text |
| Antony and Cleopatra | AC IV.xiv.66 | Disgrace and horror, that on my command | disgrace and horror, / That on my command, |
| Antony and Cleopatra | AC V.ii.63 | These thoughts of horror further than you shall | These thoughts of horror further then you shall |
| Cymbeline | Cym V.v.31 | With horror, madly dying, like her life, | With horror, madly dying, like her life, |
| King John | KJ V.i.50 | Of bragging horror. So shall inferior eyes, | Of bragging horror: So shall inferior eyes |
| King Lear | KL I.ii.172 | like the image and horror of it. Pray you, away! | like the image, and horror of it, pray you away. |
| King Lear | KL V.iii.262.1 | Or image of that horror? | Or image of that horror. |
| Macbeth | Mac II.i.59 | And take the present horror from the time | And take the present horror from the time, |
| Macbeth | Mac II.iii.60.2 | O horror, horror, horror! | O horror, horror, horror, |
| Macbeth | Mac II.iii.77 | To countenance this horror. Ring the bell! | To countenance this horror. Ring the Bell. |
| Measure for Measure | MM II.iii.42.1 | Is still a dying horror. | Is still a dying horror. |
| Measure for Measure | MM V.i.433.1 | And take her hence in horror. | And take her hence in horror. |
| Much Ado About Nothing | MA II.i.238 | go thither; so, indeed, all disquiet, horror, and perturbation | goe thither, so indeed all disquiet, horror, and perturbation |
| Richard II | R2 IV.i.142 | Disorder, horror, fear, and mutiny | Disorder, Horror, Feare, and Mutinie |
| The Two Noble Kinsmen | TNK V.iii.23 | The dam of horror, who does stand accursed | The dam of horrour, who do's stand accurst |