Play | Key Line | Modern Text | Original Text |
All's Well That Ends Well | AW I.iii.200 | Religious in mine error, I adore | Religious in mine error, I adore |
Antony and Cleopatra | AC III.xiii.114 | Adore our errors, laugh at's while we strut | Adore our errors, laugh at's while we strut |
Cymbeline | Cym III.iii.3 | Instructs you how t' adore the heavens; and bows you | Instructs you how t'adore the Heauens; and bowes you |
King Lear | KL I.iv.287 | Now gods that we adore, whereof comes this? | Now Gods that we adore, / Whereof comes this? |
Love's Labour's Lost | LLL V.ii.664 | I do adore thy sweet grace's slipper. | I do adore thy sweet Graces slipper. |
The Tempest | Tem II.ii.137 | I have seen thee in her, and I do adore thee. My | I haue seene thee in her: and I doe adore thee: / My |
Titus Andronicus | Tit I.i.45 | Whom you pretend to honour and adore, | Whom you pretend to Honour and Adore, |
Titus Andronicus | Tit II.i.61 | Now, by the gods that warlike Goths adore, | Now by the Gods that warlike Gothes adore, |
Twelfth Night | TN II.i.42 | But come what may, I do adore thee so | But come what may, I do adore thee so, |
Twelfth Night | TN II.v.103 | I may command where I adore; | I may command where I adore, |
Twelfth Night | TN II.v.113 | ‘ I may command where I adore.’ Why, she | I may command, where I adore: Why shee |
The Two Gentlemen of Verona | TG II.vi.9 | At first I did adore a twinkling star, | At first I did adore a twinkling Starre, |
The Two Gentlemen of Verona | TG IV.ii.127 | To worship shadows and adore false shapes, | To worship shadowes, and adore false shapes, |