| Play | Key Line | Modern Text | Original Text |
| Antony and Cleopatra | AC I.v.33 | There would he anchor his aspect, and die | There would he anchor his Aspect, and dye |
| As You Like It | AYL IV.iii.54 | Would they work in mild aspect? | Would they worke in milde aspect? |
| The Comedy of Errors | CE II.ii.32 | If you will jest with me, know my aspect, | If you will iest with me, know my aspect, |
| The Comedy of Errors | CE III.ii.143 | their rich aspect to the hot breath of Spain, who | their rich Aspect to the hot breath of Spaine, who |
| Coriolanus | Cor V.iii.32 | Hath an aspect of intercession which | Hath an Aspect of intercession, which |
| Hamlet | Ham II.ii.552 | Tears in his eyes, distraction in his aspect, | Teares in his eyes, distraction in's Aspect, |
| Henry IV Part 1 | 1H4 III.ii.82 | Slept in his face, and rendered such aspect | Slept in his Face, and rendred such aspect |
| Henry V | H5 III.i.9 | Then lend the eye a terrible aspect; | Then lend the Eye a terrible aspect: |
| Henry V | H5 V.ii.225 | outside, with an aspect of iron, that when I come to woo | out-side, with an aspect of Iron, that when I come to wooe |
| Henry VI Part 1 | 1H6 II.iii.19 | A second Hector, for his grim aspect | A second Hector, for his grim aspect, |
| Henry VIII | H8 III.ii.369 | That sweet aspect of princes, and their ruin, | That sweet Aspect of Princes, and their ruine, |
| Henry VIII | H8 V.i.88 | 'Tis his aspect of terror. All's not well. | 'Tis his Aspect of Terror. All's not well. |
| King Edward III | E3 III.i.67 | But, drawing near, their glorious bright aspect, | But drawing neere, their glorious bright aspect, |
| King John | KJ II.i.250 | Save in aspect, hath all offence sealed up; | Saue in aspect, hath all offence seal'd vp: |
| King John | KJ IV.ii.72 | Lives in his eye; that close aspect of his | Liues in his eye: that close aspect of his, |
| King John | KJ IV.ii.224 | But taking note of thy abhorred aspect, | But taking note of thy abhorr'd Aspect, |
| King Lear | KL II.ii.104 | Under th' allowance of your great aspect, | Vnder th'allowance of your great aspect, |
| Love's Labour's Lost | LLL IV.iii.258 | Should ravish doters with a false aspect; | Should rauish doters with a false aspect: |
| The Merchant of Venice | MV I.i.54 | And other of such vinegar aspect | And other of such vineger aspect, |
| The Merchant of Venice | MV II.i.8 | I tell thee, lady, this aspect of mine | I tell thee Ladie this aspect of mine |
| Richard II | R2 I.iii.127 | And for our eyes do hate the dire aspect | And for our eyes do hate the dire aspect |
| Richard II | R2 I.iii.209 | I see thy grieved heart. Thy sad aspect | I see thy greeued heart: thy sad aspect, |
| Richard III | R3 I.ii.23 | Whose ugly and unnatural aspect | Whose vgly and vnnaturall Aspect |
| Timon of Athens | Tim II.i.28 | Put on a most importunate aspect, | Put on a most importunate aspect, |
| Twelfth Night | TN I.iv.28 | Than in a nuncio's of more grave aspect. | Then in a Nuntio's of more graue aspect. |
| The Two Noble Kinsmen | TNK V.iii.45 | Has a most menacing aspect; his brow | Has a most menacing aspect, his brow |
| The Winter's Tale | WT II.i.107 | With an aspect more favourable. Good my lords, | With an aspect more fauorable. Good my Lords, |