Play | Key Line | Modern Text | Original Text |
Coriolanus | Cor II.iii.205 | Ere now denied the asker, and now again, | ere now, deny'd the asker: / And now againe, |
Henry VI Part 3 | 3H6 III.iii.224 | That Lewis of France is sending over masquers | That Lewis of France, is sending ouer Maskers |
Henry VI Part 3 | 3H6 IV.i.94 | That Lewis of France is sending over masquers | That Lewis of France is sending ouer Maskers, |
Henry VIII | H8 I.iv.64.1 | Hautboys. Enter the King and others as masquers, | Hoboyes. Enter King and others as Maskers, |
Julius Caesar | JC V.i.62 | Joined with a masquer and a reveller. | Ioyn'd with a Masker, and a Reueller. |
Love's Labour's Lost | LLL II.i.20 | But now to task the tasker. Good Boyet, | But now to taske the tasker, good Boyet, |
Love's Labour's Lost | LLL V.ii.157 | The trumpet sounds. Be masked – the masquers come. | The Trompet sounds, be maskt, the maskers come. |
The Merchant of Venice | MV II.vi.1.1 | Enter the masquers, Gratiano and Salerio | Enter the Maskers, Gratiano and Salino. |
Much Ado About Nothing | MA II.i.77.3 | John, Borachio, and others, as masquers, with a drum | Iohn, Maskers with a drum. |
Romeo and Juliet | RJ I.iv.1.2 | other maskers, and torchbearers | other Maskers, Torch-bearers. |
Romeo and Juliet | RJ I.v.17.2 | the guests and gentlewomen to the maskers | to the Maskers. |
Timon of Athens | Tim I.ii.129.1 | Music. Enter Cupid with a Masque of Ladies as | Enter the Maskers of |