| Play | Key Line | Modern Text | Original Text |
| As You Like It | AYL III.v.123 | Between the constant red and mingled damask. | Betwixt the constant red, and mingled Damaske. |
| Coriolanus | Cor I.viii.10 | Wherein thou seest me masked. For thy revenge | Wherein thou seest me maskt, for thy Reuenge |
| Coriolanus | Cor II.i.208 | Commit the war of white and damask in | Commit the Warre of White and Damaske / In |
| Cymbeline | Cym V.iii.21 | With faces fit for masks, or rather fairer | With faces fit for Maskes, or rather fayrer |
| Hamlet | Ham I.iii.37 | If she unmask her beauty to the moon. | If she vnmaske her beauty to the Moone: |
| Henry IV Part 1 | 1H4 I.ii.178 | to immask our noted outward garments. | to immaske our noted outward garments. |
| Henry IV Part 1 | 1H4 III.ii.136 | And stain my favours in a bloody mask, | And staine my fauours in a bloody Maske: |
| Henry IV Part 2 | 2H4 I.i.66 | Where hateful death put on his ugliest mask | Where hatefull death put on his vgliest Maske |
| Henry VI Part 3 | 3H6 III.iii.224 | That Lewis of France is sending over masquers | That Lewis of France, is sending ouer Maskers |
| Henry VI Part 3 | 3H6 IV.i.94 | That Lewis of France is sending over masquers | That Lewis of France is sending ouer Maskers, |
| Henry VIII | H8 I.i.26 | Was to them as a painting. Now this masque | Was to them, as a Painting. Now this Maske |
| Henry VIII | H8 I.iv.64.1 | Hautboys. Enter the King and others as masquers, | Hoboyes. Enter King and others as Maskers, |
| Henry VIII | H8 I.iv.86 | The King unmasks | |
| Julius Caesar | JC II.i.81 | To mask thy monstrous visage? Seek none, conspiracy; | To maske thy monstrous Visage? Seek none Conspiracie, |
| Julius Caesar | JC V.i.62 | Joined with a masquer and a reveller. | Ioyn'd with a Masker, and a Reueller. |
| King Edward III | E3 II.i.149 | And, being unmasked, outshine the golden sun. | And being vnmaskt outshine the golden sun, |
| King Edward III | E3 IV.iv.7 | Masking, as 'twere, the beauteous burning sun, | Masking as twere the beautious burning Sunne, |
| King John | KJ V.ii.132 | This harnessed masque and unadvised revel, | This harness'd Maske, and vnaduised Reuell, |
| Love's Labour's Lost | LLL I.ii.88 | Most maculate thoughts, master, are masked under | Most immaculate thoughts Master, are mask'd vnder |
| Love's Labour's Lost | LLL IV.iii.355 | For revels, dances, masques, and merry hours | For Reuels, Dances, Maskes, and merry houres, |
| Love's Labour's Lost | LLL V.ii.127 | For, ladies, we shall every one be masked, | For Ladies; we will euery one be maskt, |
| Love's Labour's Lost | LLL V.ii.157 | The trumpet sounds. Be masked – the masquers come. | The Trompet sounds, be maskt, the maskers come. |
| Love's Labour's Lost | LLL V.ii.245 | You have a double tongue within your mask, | You haue a double tongue within your mask. |
| Love's Labour's Lost | LLL V.ii.295 | Fair ladies masked are roses in their bud; | Faire Ladies maskt, are Roses in their bud: |
| Love's Labour's Lost | LLL V.ii.296 | Dismasked, their damask sweet commixture shown, | Dismaskt, their damaske sweet commixture showne, |
| Love's Labour's Lost | LLL V.ii.337.2 | having unmasked and exchanged favours, with | |
| Macbeth | Mac III.i.124 | Masking the business from the common eye | Masking the Businesse from the common Eye, |
| Measure for Measure | MM II.iv.79 | When it doth tax itself, as these black masks | When it doth taxe it selfe: As these blacke Masques |
| Measure for Measure | MM V.i.204 | My husband bids me. Now I will unmask. | My husband bids me, now I will vnmaske. |
| The Merchant of Venice | MV II.iv.22 | Will you prepare you for this masque tonight? | will you prepare you for this Maske to night, |
| The Merchant of Venice | MV II.v.23 | say you shall see a masque, but if you do, then it was not | you shall see a Maske, but if you doe, then it was not |
| The Merchant of Venice | MV II.v.27 | What, are there masques? Hear you me, Jessica: | What are their maskes? heare you me Iessica, |
| The Merchant of Venice | MV II.vi.1.1 | Enter the masquers, Gratiano and Salerio | Enter the Maskers, Gratiano and Salino. |
| The Merchant of Venice | MV II.vi.59 | Our masquing mates by this time for us stay. | Our masking mates by this time for vs stay. |
| The Merchant of Venice | MV II.vi.64 | No masque tonight. The wind is come about; | No maske to night, the winde is come about, |
| The Merry Wives of Windsor | MW IV.vi.40 | For they must all be masked and vizarded – | For they must all be mask'd, and vizarded) |
| A Midsummer Night's Dream | MND I.ii.45 | That's all one: you shall play it in a mask, and | That's all one, you shall play it in a Maske, and |
| A Midsummer Night's Dream | MND V.i.32 | Come now, what masques, what dances shall we have | Come now, what maskes, what dances shall we haue, |
| A Midsummer Night's Dream | MND V.i.40 | What masque, what music? How shall we beguile | What maske? What musicke? How shall we beguile |
| A Midsummer Night's Dream | MND V.i.344 | epilogue, or to hear a Bergomask dance between two of | Epilogue, or to heare a Bergomask dance, betweene two of |
| A Midsummer Night's Dream | MND V.i.352 | Bergomask; let your epilogue alone. | Burgomaske; let your Epilogue alone. |
| Much Ado About Nothing | MA II.i.77.1 | All put on their masks | |
| Much Ado About Nothing | MA II.i.77.3 | John, Borachio, and others, as masquers, with a drum | Iohn, Maskers with a drum. |
| Much Ado About Nothing | MA V.iv.12 | And when I send for you, come hither masked. | And when I send for you, come hither mask'd: |
| Much Ado About Nothing | MA V.iv.52 | Enter Antonio, with the Ladies masked | Enter brother, Hero, Beatrice, Margaret, Vrsula. |
| Much Ado About Nothing | MA V.iv.60 | (unmasking) | |
| Much Ado About Nothing | MA V.iv.73 | (unmasking) | |
| Othello | Oth IV.ii.8 | To fetch her fan, her gloves, her mask, nor nothing? | To fetch her Fan, her Gloues, her Mask, nor no thing? |
| Pericles | Per III.iii.36 | Then give you up to the masked Neptune, and | then giue you vp to the mask'd Neptune, and |
| Romeo and Juliet | RJ I.i.230 | These happy masks that kiss fair ladies' brows, | These happy maskes that kisse faire Ladies browes, |
| Romeo and Juliet | RJ I.iv.1.2 | other maskers, and torchbearers | other Maskers, Torch-bearers. |
| Romeo and Juliet | RJ I.iv.48 | And we mean well in going to this masque, | And we meane well in going to this Maske, |
| Romeo and Juliet | RJ I.v.17.2 | the guests and gentlewomen to the maskers | to the Maskers. |
| Romeo and Juliet | RJ I.v.34.1 | Were in a mask? | Were in a Maske? |
| Romeo and Juliet | RJ I.v.38 | Some five-and-twenty years; and then we masked. | Some fiue and twenty yeares, and then we Maskt. |
| Romeo and Juliet | RJ II.ii.85 | Thou knowest the mask of night is on my face, | Thou knowest the maske of night is on my face, |
| The Taming of the Shrew | TS IV.iii.87 | O mercy, God! What masquing stuff is here? | Oh mercie God, what masking stuffe is heere? |
| Timon of Athens | Tim I.ii.120 | Enter Cupid | Enter Cupid with the Maske of Ladies. |
| Timon of Athens | Tim I.ii.129.1 | Music. Enter Cupid with a Masque of Ladies as | Enter the Maskers of |
| Troilus and Cressida | TC I.ii.262 | mine honesty; my mask to defend my beauty, and you | mine honesty; my Maske, to defend my beauty, and you |
| Troilus and Cressida | TC I.iii.84 | Th' unworthiest shows as fairly in the mask. | Th'vnworthiest shewes as fairely in the Maske. |
| Twelfth Night | TN I.iii.107 | strangest mind i'the world. I delight in masques and | strangest minde i'th world: I delight in Maskes and |
| Twelfth Night | TN II.iv.111 | Feed on her damask cheek. She pined in thought, | Feede on her damaske cheeke: she pin'd in thought, |
| The Two Gentlemen of Verona | TG IV.iv.150 | And threw her sun-expelling mask away, | And threw her Sun-expelling Masque away, |
| The Two Gentlemen of Verona | TG V.ii.40 | But, being masked, he was not sure of it; | But being mask'd, he was not sure of it. |
| The Two Noble Kinsmen | TNK IV.i.74 | With cherry lips, and cheeks of damask roses, | With cherry-lips, and cheekes of Damaske Roses, |
| The Winter's Tale | WT IV.iv.222 | Gloves as sweet as damask roses; | Gloues as sweete as Damaske Roses, |
| The Winter's Tale | WT IV.iv.223 | Masks for faces, and for noses; | Maskes for faces, and for noses: |