Play | Key Line | Modern Text | Original Text |
All's Well That Ends Well | AW IV.iii.118 | comes. (Aloud) Portotartarossa. | comes: Portotartarossa. |
All's Well That Ends Well | AW IV.iv.7 | Through flinty Tartar's bosom would peep forth | Through flintie Tartars bosome would peepe forth, |
The Comedy of Errors | CE IV.ii.32 | No. He's in Tartar limbo, worse than hell. |
No, he's in Tartar limbo, worse then hell: |
Henry V | H5 II.ii.123 | He might return to vasty Tartar back, | He might returne to vastie Tartar backe, |
King Edward III | E3 II.i.71 | That it may raise drops in a Tartar's eye, | That it may rayse drops in a Torters eye, |
Macbeth | Mac IV.i.29 | Nose of Turk, and Tartar's lips, | Nose of Turke, and Tartars lips: |
The Merchant of Venice | MV IV.i.32 | From stubborn Turks and Tartars never trained | From stubborne Turkes and Tarters neuer traind |
The Merry Wives of Windsor | MW IV.v.18 | Here's a Bohemian-Tartar tarries the coming down | Here's a Bohemian-Tartar taries the comming downe |
A Midsummer Night's Dream | MND III.ii.101 | Swifter than arrow from the Tartar's bow. | Swifter then arrow from the Tartars bowe. |
A Midsummer Night's Dream | MND III.ii.263.2 | Thy love? – out, tawny Tartar, out; | Thy loue? out tawny Tartar, out; |
Romeo and Juliet | RJ I.iv.5 | Bearing a Tartar's painted bow of lath, | Bearing a Tartars painted Bow of lath, |
Twelfth Night | TN II.v.198 | To the gates of Tartar, thou most excellent | To the gates of Tartar, thou most excellent |