| Play | Key Line | Modern Text | Original Text |
| Cymbeline | Cym I.v.68 | comparison – had been something too fair, and too good | comparison, had beene something too faire, and too good |
| Henry VI Part 1 | 1H6 V.iv.150 | Standest thou aloof upon comparison? | Stand'st thou aloofe vpon Comparison. |
| Love's Labour's Lost | LLL IV.i.80 | the comparison, thou the beggar, for so witnesseth thy | the comparison) thou the Begger, for so witnesseth thy |
| The Merchant of Venice | MV III.ii.45 | Fading in music. That the comparison | Fading in musique. That the comparison |
| Much Ado About Nothing | MA II.i.132 | Do, do; he'll but break a comparison or two | Do, do, hee'l but breake a comparison or two |
| Troilus and Cressida | TC I.i.44 | Helen's – well, go to, there were no more comparison | Helens, well go too, there were no more comparison |
| Troilus and Cressida | TC I.i.57 | In whose comparison all whites are ink | (In whose comparison, all whites are Inke) |
| Troilus and Cressida | TC I.ii.62 | O Jupiter, there's no comparison. | Oh Iupiter; there's no comparison. |