| Play | Key Line | Modern Text | Original Text |
| Antony and Cleopatra | AC II.v.112 | Report the feature of Octavia, her years, | Report the feature of Octauia: her yeares, |
| As You Like It | AYL III.iii.3 | yet? Doth my simple feature content you? | yet? / Doth my simple feature content you? |
| Cymbeline | Cym V.v.163 | Of him that best could speak: for feature, laming | Of him that best could speake: for Feature, laming |
| Hamlet | Ham III.i.160 | That unmatched form and feature of blown youth | That vnmatch'd Forme and Feature of blowne youth, |
| Hamlet | Ham III.ii.22 | the mirror up to nature, to show virtue her own feature, | the Mirrour vp to Nature; to shew Vertue her owne Feature, |
| Henry VI Part 1 | 1H6 V.v.68 | Her peerless feature, joined with her birth, | Her peerelesse feature, ioyned with her birth, |
| Henry VIII | H8 III.ii.50 | In mind and feature. I persuade me, from her | In minde and feature. I perswade me, from her |
| King John | KJ II.i.126 | Liker in feature to his father Geoffrey | Liker in feature to his father Geffrey |
| King John | KJ IV.ii.264 | Upon thy feature; for my rage was blind, | Vpon thy feature, for my rage was blinde, |
| King Lear | KL IV.ii.63 | Be-monster not thy feature. Were't my fitness | |
| Richard III | R3 I.i.19 | Cheated of feature by dissembling Nature, | Cheated of Feature by dissembling Nature, |
| Twelfth Night | TN III.iv.344 | Nor know I you by voice or any feature. | Nor know I you by voyce, or any feature: |
| Twelfth Night | TN III.iv.357 | Thou hast, Sebastian, done good feature shame. | Thou hast Sebastian done good feature, shame. |
| The Two Gentlemen of Verona | TG II.iv.71 | He is complete in feature and in mind, | He is compleat in feature, and in minde, |