| Play | Key Line | Modern Text | Original Text |
| As You Like It | AYL III.iii.17 | No, truly: for the truest poetry is the most | No trulie: for the truest poetrie is the most |
| As You Like It | AYL III.iii.18 | feigning; and lovers are given to poetry; and what they | faining, and Louers are giuen to Poetrie: and what they |
| As You Like It | AYL III.iii.19 | swear in poetry may be said as lovers they do feign. | sweare in Poetrie, may be said as Louers, they do feigne. |
| Henry IV Part 1 | 1H4 III.i.128 | Nothing so much as mincing poetry. | Nothing so much, as mincing Poetrie; |
| King Edward III | E3 II.i.53 | This fellow is well read in poetry, | This fellow is well read in poetrie, |
| King Edward III | E3 II.i.129 | With the sweet hearing of thy poetry. | |
| Love's Labour's Lost | LLL IV.ii.157 | poetry, wit, nor invention. I beseech your society. | Poetrie, Wit, nor Inuention. I beseech your Societie. |
| The Merchant of Venice | MV V.i.149 | For all the world like cutler's poetry | For all the world like Cutlers Poetry |
| The Taming of the Shrew | TS I.i.93 | In music, instruments, and poetry, | In Musicke, Instruments, and Poetry, |
| The Taming of the Shrew | TS I.ii.167 | Fit for her turn, well read in poetry | Fit for her turne, well read in Poetrie |
| Titus Andronicus | Tit IV.i.14 | Sweet poetry and Tully's Orator. | Sweet Poetry, and Tullies Oratour: |