| Play | Key Line | Modern Text | Original Text |
| The Comedy of Errors | CE I.i.96 | Gather the sequel by that went before! | Gather the sequell by that went before. |
| Hamlet | Ham III.ii.336 | But is there no sequel at the heels of this mother's | But is there no sequell at the heeles of this Mothers |
| Henry V | H5 V.ii.326 | His daughter first, and then, in sequel, all, | His Daughter first; and in sequele, all, |
| Love's Labour's Lost | LLL III.i.132 | Like the sequel, I. Signor Costard, adieu. | Like the sequell I. / Signeur Costard adew. |
| The Merry Wives of Windsor | MW III.v.98 | But mark the sequel, Master Brook. I suffered the | But marke the sequell (Master Broome) I suffered the |
| Much Ado About Nothing | MA III.ii.122 | when you have seen the sequel. | when you haue seene the sequele. |
| Richard III | R3 III.vi.4 | And mark how well the sequel hangs together. | And marke how well the sequell hangs together: |
| Richard III | R3 III.vii.231 | Attend the sequel of your imposition, | Attend the sequell of your Imposition, |
| Twelfth Night | TN II.v.127 | sequel that suffers under probation. A should follow, | sequell that suffers vnder probation: A. should follow, |
| The Two Gentlemen of Verona | TG II.i.110 | A pretty period! Well, I guess the sequel; | A pretty period: well: I ghesse the sequell; |