Play | Key Line | Modern Text | Original Text |
All's Well That Ends Well | AW I.i.117 | There is none. Man setting down before you | There is none: Man setting downe before you, |
All's Well That Ends Well | AW IV.iii.109 | to this very instant disaster of his setting i'th' stocks. | to this very instant disaster of his setting i'th stockes: |
Henry IV Part 1 | 1H4 I.ii.165 | How shall we part with them in setting | But how shal we part with them in setting |
Henry IV Part 1 | 1H4 III.iii.118 | shouldst know it, I am an honest man's wife, and setting | shouldst know it: I am an honest mans wife: and setting |
Henry IV Part 1 | 1H4 III.iii.120 | Setting thy womanhood aside, thou art a beast | Setting thy woman-hood aside, thou art a beast |
Henry IV Part 2 | 2H4 I.ii.80 | Setting my knighthood and my soldiership aside, I had | Setting my Knight-hood, and my Souldiership aside, I had |
Henry V | H5 I.ii.185 | Setting endeavour in continual motion; | Setting endeuour in continual motion: |
Henry VI Part 2 | 2H6 IV.ii.83 | We took him setting of boys' copies. | We tooke him setting of boyes Copies. |
Henry VI Part 3 | 3H6 IV.i.24 | Setting your scorns and your mislike aside, | Setting your skornes, and your mislike aside, |
Henry VIII | H8 III.ii.225 | I haste now to my setting. I shall fall | I haste now to my Setting. I shall fall |
Julius Caesar | JC V.iii.60 | But Cassius is no more. O setting sun, | But Cassius is no more. O setting Sunne: |
Love's Labour's Lost | LLL III.i.121 | By my sweet soul, I mean setting thee at liberty, | By my sweete soule, I meane, setting thee at libertie. |
Macbeth | Mac IV.iii.135 | Already at a point, was setting forth. | Already at a point, was setting foorth: |
Macbeth | Mac V.iv.10.1 | Our setting down before't. | Our setting downe befor't. |
Measure for Measure | MM II.i.2 | Setting it up to fear the birds of prey, | Setting it vp to feare the Birds of prey, |
The Merry Wives of Windsor | MW II.ii.102 | Not I, I assure thee. Setting the attractions of | Not I, I assure thee; setting the attraction of |
A Midsummer Night's Dream | MND III.ii.231 | But by your setting on, by your consent? | But by your setting on, by your consent? |
Richard II | R2 I.i.58 | Setting aside his high blood's royalty, | Setting aside his high bloods royalty, |
Richard II | R2 II.i.12 | The setting sun, and music at the close, | The setting Sun, and Musicke in the close |
The Taming of the Shrew | TS II.i.261 | And therefore, setting all this chat aside, | And therefore setting all this chat aside, |
The Tempest | Tem II.i.233 | The setting of thine eye and cheek proclaim | The setting of thine eye, and cheeke proclaime |
The Tempest | Tem IV.i.255.3 | Ariel setting them on | Ariel setting them on. |
Timon of Athens | Tim I.ii.142 | Men shut their doors against a setting sun. | Men shut their doores against a setting Sunne. |
Timon of Athens | Tim II.ii.73 | She's e'en setting on water to scald such chickens as | She's e'ne setting on water to scal'd such Chickens as |
Timon of Athens | Tim III.v.14 | He is a man, setting his fate aside, | He is a Man (setting his Fate aside) |
Titus Andronicus | Tit III.i.239 | Exit, after setting down the heads and hand | Exit. |