Play | Key Line | Modern Text | Original Text |
All's Well That Ends Well | AW II.iii.194 | another style. | another stile. |
As You Like It | AYL II.i.20 | Into so quiet and so sweet a style. | Into so quiet and so sweet a stile. |
As You Like It | AYL IV.iii.32 | Why, 'tis a boisterous and a cruel style, | Why, tis a boysterous and a cruell stile, |
As You Like It | AYL IV.iii.33 | A style for challengers. Why, she defies me, | A stile for challengers: why, she defies me, |
Henry VI Part 1 | 1H6 IV.i.50 | What means his grace that he hath changed his style? | What meanes his Grace, that he hath chaung'd his Stile? |
Henry VI Part 1 | 1H6 IV.vii.72 | Here's a silly stately style indeed! | Heere's a silly stately stile indeede: |
Henry VI Part 1 | 1H6 IV.vii.74 | Writes not so tedious a style as this. | Writes not so tedious a Stile as this. |
Henry VI Part 2 | 2H6 I.i.109 | Unto the poor King Reignier, whose large style | Vnto the poore King Reignier, whose large style |
Henry VI Part 2 | 2H6 I.iii.46 | Am I a queen in title and in style, | Am I a Queene in Title and in Stile, |
King Edward III | E3 II.i.80 | To whom, my lord, shall I direct my style? | To whome my Lord shal I direct my stile. |
King Lear | KL IV.i.55 | Both stile and gate, horse-way and footpath, Poor | Both style, and gate; Horseway, and foot-path: poore |
Love's Labour's Lost | LLL I.i.196 | Well, sir, be it as the style shall give us cause to | Well sir, be it as the stile shall giue vs cause to |
Love's Labour's Lost | LLL IV.i.97 | I am much deceived but I remember the style. | I am much deceiued, but I remember the stile. |
The Merry Wives of Windsor | MW I.iii.42 | the action of her familiar style; and the hardest voice | the action of her familier stile, & the hardest voice |
The Merry Wives of Windsor | MW II.ii.271 | his style. Thou, Master Brook, shalt know him for | his stile: thou (Master Broome) shalt know him for |
Much Ado About Nothing | MA V.i.37 | However they have writ the style of gods, | How euer they haue writ the stile of gods, |
Much Ado About Nothing | MA V.ii.6 | In so high a style, Margaret, that no man living | In so high a stile Margaret, that no man liuing |
Richard III | R3 IV.iv.360 | Plain and not honest is too harsh a style. | Plaine and not honest, is too harsh a style. |