Play | Key Line | Modern Text | Original Text |
Henry IV Part 2 | 2H4 IV.ii.7 | Your exposition on the holy text, | Your exposition on the holy Text, |
King Lear | KL IV.ii.37 | No more; the text is foolish. | |
Love's Labour's Lost | LLL IV.ii.159 | text – is the happiness of life. | text) is the happinesse of life. |
Love's Labour's Lost | LLL IV.ii.160 | And, certes, the text most infallibly | And certes the text most infallibly |
Love's Labour's Lost | LLL V.ii.42 | Fair as a text B in a copy-book. | Faire as a text B. in a Coppie booke. |
The Merchant of Venice | MV III.ii.79 | Will bless it and approve it with a text, | Will blesse it, and approue it with a text, |
Much Ado About Nothing | MA V.i.176 | Yes, and text underneath, ‘Here dwells Benedick, | Yea and text vnder-neath, heere dwells Benedicke |
Pericles | Per Chorus.II.40 | Pardon old Gower – this longs the text. | Pardon old Gower, this long's the text. |
Romeo and Juliet | RJ IV.i.21.2 | That's a certain text. | That's a certaine text. |
Titus Andronicus | Tit IV.iii.32 | But [text missing in Quarto] | |
Twelfth Night | TN I.v.211 | We will hear this divinity. Now, sir, what is your text? | We will heare this diuinitie. Now sir, what is your text? |
Twelfth Night | TN I.v.214 | it. Where lies your text? | it. Where lies your Text? |
Twelfth Night | TN I.v.222 | with my face? You are now out of your text; but | with my face: you are now out of your Text: but |