| Play | Key Line | Modern Text | Original Text |
| Antony and Cleopatra | AC I.i.51 | To make itself, in thee, fair and admired. | To make it selfe (in Thee) faire, and admir'd. |
| Antony and Cleopatra | AC II.ii.124 | Admired Octavia. Great Mark Antony | admir'd Octauia: Great Mark Anthony |
| Antony and Cleopatra | AC III.vii.24 | Celerity is never more admired | Celerity is neuer more admir'd, |
| As You Like It | AYL III.ii.376 | trees, wherein Rosalind is so admired? | Trees, wherein Rosalind is so admired? |
| The Comedy of Errors | CE V.i.173 | Great pails of puddled mire to quench the hair. | Great pailes of puddled myre to quench the haire; |
| Coriolanus | Cor I.ix.5 | I'th' end admire; where ladies shall be frighted | I'th' end admire: where Ladies shall be frighted, |
| Cymbeline | Cym I.i.32 | He served with glory and admired success: | He seru'd with Glory, and admir'd Successe: |
| Cymbeline | Cym V.v.222 | Spit, and throw stones, cast mire upon me, set | Spit, and throw stones, cast myre vpon me, set |
| Henry IV Part 1 | 1H4 I.iii.237 | Nettled, and stung with pismires, when I hear | Netled, and stung with Pismires, when I heare |
| Henry IV Part 2 | 2H4 I.iii.105 | After th' admired heels of Bolingbroke, | After th' admired heeles of Bullingbrooke, |
| Henry V | H5 III.vi.123 | and admire our sufferance. Bid him therefore consider | and admire our sufferance. Bid him therefore consider |
| Henry VI Part 1 | 1H6 I.iv.109 | And make a quagmire of your mingled brains. | And make a Quagmire of your mingled braines. |
| Henry VI Part 2 | 2H6 III.i.12 | That all the court admired him for submission; | That all the Court admir'd him for submission. |
| Henry VI Part 3 | 3H6 I.iv.130 | 'Tis virtue that doth make them most admired; | 'Tis Vertue, that doth make them most admir'd, |
| Henry VIII | H8 I.i.3 | Healthful, and ever since a fresh admirer | Healthfull, and euer since a fresh Admirer |
| King Edward III | E3 IV.iii.46 | Deserves to be eternally admired. | Deserues to be eternally admirde, |
| King Lear | KL II.ii.4 | I'the mire. | I'th'myre. |
| King Lear | KL III.iv.51 | ford and whirlpool, o'er bog and quagmire, that hath | Sword, and Whirle-Poole, o're Bog, and Quagmire, that hath |
| Love's Labour's Lost | LLL I.i.138 | Or vainly comes th' admired Princess hither. | Or vainly comes th'admired Princesse hither. |
| Love's Labour's Lost | LLL II.i.114.2 | Berowne and Rosaline converse apart | [Q1] BEROWNE Did not I dance with you in Brabant once? KATHER. Did not I dance with you in Brabant once? BEROWNE I know you did. KATH. How needles was it then to aske the question? BEROWNE You must not be so quicke. KATH. Tis long of you that spur me with such questions. BEROWNE Your wit's too hot, it speedes too fast, twill tire. KATH. Not till it leaue the rider in the mire. BEROWNE What time a day? KATH. The houre that fooles should aske. BEROWNE Now faire befall your maske. KATH. Faire fall the face it couers. BEROWNE And send you manie louers. KATH. Amen, so you be none. BEROWNE Nay then will I be gone. |
| Love's Labour's Lost | LLL IV.ii.114 | Which is to me some praise, that I thy parts admire. | Which is to me some praise, that I thy parts admire; |
| Macbeth | Mac III.iv.109.1 | With most admired disorder. | with most admir'd disorder. |
| The Merry Wives of Windsor | MW IV.v.63 | one of them, in a slough of mire; and set spurs and | one of them, in a slough of myre; and set spurres, and |
| Much Ado About Nothing | MA IV.i.131 | Who smirched thus and mired with infamy, | Who smeered thus, and mir'd with infamie, |
| Pericles | Per Chorus.V.4 | As goddess-like to her admired lays. | As Goddesse-like to her admired layes. |
| Romeo and Juliet | RJ I.ii.83 | With all the admired beauties of Verona. | With all the admired Beauties of Verona, |
| Romeo and Juliet | RJ I.iv.41 | If thou art Dun, we'll draw thee from the mire | If thou art dun, weele draw thee from the mire. |
| The Taming of the Shrew | TS I.i.29 | Only, good master, while we do admire | Onely (good master) while we do admire |
| The Tempest | Tem II.ii.5 | Fright me with urchin-shows, pitch me i'th' mire, | Fright me with Vrchyn-shewes, pitch me i'th mire, |
| The Tempest | Tem III.i.37.2 | Admired Miranda! | Admir'd Miranda, |
| The Tempest | Tem V.i.154 | At this encounter do so much admire | At this encounter doe so much admire, |
| Timon of Athens | Tim I.ii.58 | Honest water, which ne'er left man i'th' mire. | Honest water, which nere left man i'th'mire: |
| Timon of Athens | Tim IV.iii.149 | Paint till a horse may mire upon your face. | Paint till a horse may myre vpon your face: |
| Timon of Athens | Tim V.i.49 | Settlest admired reverence in a slave. | Setlest admired reuerence in a Slaue, |
| Twelfth Night | TN III.iv.149 | Wonder not, nor admire not in thy mind, | Wonder not, nor admire not in thy minde |
| The Two Gentlemen of Verona | TG IV.ii.42 | That she might admired be. | that she might admired be. |
| The Two Noble Kinsmen | TNK II.iv.17.2 | I admire him; | I admire him, |
| The Two Noble Kinsmen | TNK prologue.13 | Chaucer, of all admired, the story gives; | Chaucer (of all admir'd) the Story gives, |