Play | Key Line | Modern Text | Original Text |
As You Like It | AYL III.ii.329 | Your accent is something finer than you could | Your accent is something finer, then you could |
Hamlet | Ham II.ii.465 | accent and good discretion. | accent, and good discretion. |
Hamlet | Ham III.ii.30 | profanely, that, neither having th' accent of Christians | prophanely) that neyther hauing the accent of Christians, |
Henry V | H5 II.iv.126 | In second accent of his ordinance. | In second Accent of his Ordinance. |
King John | KJ I.i.86 | The accent of his tongue affecteth him. | The accent of his tongue affecteth him: |
King John | KJ V.vi.14 | That any accent breaking from thy tongue | That any accent breaking from thy tongue, |
King Lear | KL II.ii.109 | you in a plain accent was a plain knave; which, for my | you in a plaine accent, was a plaine Knaue, which for my |
Love's Labour's Lost | LLL IV.ii.120 | the accent. Let me supervise the canzonet. | the accent. Let me superuise the cangenet. |
Love's Labour's Lost | LLL V.ii.99 | Action and accent did they teach him there: | Action and accent did they teach him there. |
A Midsummer Night's Dream | MND V.i.97 | Throttle their practised accent in their fears, | Throttle their practiz'd accent in their feares, |
Othello | Oth I.i.76 | Do, with like timorous accent and dire yell, | Doe, with like timerous accent, and dire yell, |
Richard II | R2 V.i.47 | The heavy accent of thy moving tongue, | The heauie accent of thy mouing Tongue, |
Richard III | R3 IV.iv.159 | That cannot brook the accent of reproof. | That cannot brooke the accent of reproofe. |
Romeo and Juliet | RJ II.iv.29 | fantasticoes, these new tuners of accent! ‘ By Jesu, a very | phantacies, these new tuners of accent: Iesu a very |
Troilus and Cressida | TC I.iii.53 | And with an accent tuned in selfsame key | And with an accent tun'd in selfe-same key, |
Twelfth Night | TN III.iv.177 | swaggering accent sharply twanged off, gives manhood | swaggering accent sharpely twang'd off, giues manhoode |