| Play | Key Line | Modern Text | Original Text |
| The Comedy of Errors | CE V.i.46 | And much, much different from the man he was. | And much different from the man he was: |
| Hamlet | Ham III.i.172 | Haply the seas, and countries different, | Haply the Seas and Countries different |
| King John | KJ III.iv.60 | The different plague of each calamity. | The different plague of each calamitie. |
| King Lear | KL IV.iii.35 | Such different issues. You spoke not with her since? | |
| The Merry Wives of Windsor | MW II.i.70 | of these letters, writ with blank space for different names | of these Letters, writ with blancke-space for different names |
| A Midsummer Night's Dream | MND I.i.135 | But either it was different in blood – | But either it was different in blood. |
| Romeo and Juliet | RJ I.v.90 | Makes my flesh tremble in their different greeting. | Makes my flesh tremble in their different greeting: |
| Romeo and Juliet | RJ II.iii.10 | None but for some, and yet all different. | None but for some, and yet all different. |
| The Tempest | Tem III.i.91 | Exeunt Ferdinand and Miranda in different directions | Exeunt. |
| Timon of Athens | Tim I.i.259 | In different pleasures. Pray you, let us in. | In different pleasures. Pray you let vs in. |
| Timon of Athens | Tim IV.iii.258 | In different beds of lust, and never learned | In different beds of Lust, and neuer learn'd |
| Troilus and Cressida | TC V.iii.94 | Exeunt Priam and Hector by different doors. Alarum | Alarum. |
| Twelfth Night | TN III.i.1.1 | Enter at different entrances Viola, and Feste playing | Enter Viola and Clowne. |
| Twelfth Night | TN III.iv.64 | Exeunt Olivia and Maria different ways | exit |