| Play | Key Line | Modern Text | Original Text |
| All's Well That Ends Well | AW II.iii.53 | O'er whom both sovereign power and father's voice | Ore whom both Soueraigne power, and fathers voice |
| All's Well That Ends Well | AW IV.i.9 | not thy voice? | not thy voice? |
| Antony and Cleopatra | AC V.ii.83 | Crested the world; his voice was propertied | Crested the world: His voyce was propertied |
| As You Like It | AYL II.iv.84 | And in my voice most welcome shall you be. | And in my voice most welcome shall you be. |
| As You Like It | AYL II.v.14 | My voice is ragged, I know I cannot please you. | My voice is ragged, I know I cannot please you. |
| As You Like It | AYL II.vii.162 | For his shrunk shank, and his big manly voice, | For his shrunke shanke, and his bigge manly voice, |
| As You Like It | AYL V.iii.12 | only prologues to a bad voice? | onely prologues to a bad voice. |
| The Comedy of Errors | CE V.i.301 | But tell me yet, dost thou not know my voice? | But tell me yet, dost thou not know my voice? |
| The Comedy of Errors | CE V.i.308 | Not know my voice? O time's extremity, | Not know my voice, oh times extremity |
| Coriolanus | Cor II.ii.80 | I shall lack voice. The deeds of Coriolanus | I shall lacke voyce: the deeds of Coriolanus |
| Coriolanus | Cor II.iii.76 | (to the Second Citizen) Your good voice, sir. What say | your good voice Sir, what say |
| Coriolanus | Cor II.iii.132 | any honest man's voice. | any honest mans Voyce. |
| Coriolanus | Cor II.iii.139 | Endue you with the people's voice. Remains | endue you with the Peoples Voyce, / Remaines, |
| Coriolanus | Cor II.iii.214 | Their liberties; make them of no more voice | Their Liberties, make them of no more Voyce |
| Coriolanus | Cor II.iii.233 | To voice him consul. Lay the fault on us. | To Voyce him Consull. Lay the fault on vs. |
| Coriolanus | Cor III.i.119.1 | One that speaks thus their voice? | One that speakes thus, their voyce? |
| Coriolanus | Cor III.ii.114 | Small as an eunuch or the virgin voice | Small as an Eunuch, or the Virgin voyce |
| Coriolanus | Cor III.iii.59 | That being passed for consul with full voice, | That being past for Consull with full voyce: |
| Coriolanus | Cor III.iii.73 | ‘ Thou liest ’ unto thee with a voice as free | Thou lyest vnto thee, with a voice as free, |
| Coriolanus | Cor IV.v.80 | And suffered me by th' voice of slaves to be | And suffer'd me by th' voyce of Slaues to be |
| Coriolanus | Cor IV.vi.98 | Upon the voice of occupation and | Vpon the voyce of occupation, and |
| Cymbeline | Cym II.iii.29 | voice of unpaved eunuch to boot, can never amend. | voyce of vnpaued Eunuch to boot, can neuer amed. |
| Cymbeline | Cym III.v.116 | relief, nor my voice for thy preferment. | releefe, nor my voyce for thy preferment. |
| Cymbeline | Cym IV.ii.105 | Which then he wore: the snatches in his voice, | Which then he wore: the snatches in his voice, |
| Hamlet | Ham I.i.129 | If thou hast any sound or use of voice, | If thou hast any sound, or vse of Voyce, |
| Hamlet | Ham I.ii.45 | And lose your voice. What wouldst thou beg, Laertes, | And loose your voyce. What would'st thou beg Laertes, |
| Hamlet | Ham I.iii.23 | Unto the voice and yielding of that body | Vnto the voyce and yeelding of that Body, |
| Hamlet | Ham I.iii.28 | Than the main voice of Denmark goes withal. | Then the maine voyce of Denmarke goes withall. |
| Hamlet | Ham I.iii.68 | Give every man thine ear, but few thy voice. | Giue euery man thine eare; but few thy voyce: |
| Hamlet | Ham II.ii.426 | chopine. Pray God your voice, like a piece of uncurrent | Choppine. Pray God your voice like a peece of vncurrant |
| Hamlet | Ham II.ii.553 | A broken voice, and his whole function suiting | A broken voyce, and his whole Function suiting |
| Hamlet | Ham III.ii.349 | voice of the King himself for your succession in | voyce of the King himselfe, for your Succession in |
| Hamlet | Ham III.ii.376 | voice, in this little organ. Yet cannot you make it | Voice, in this little Organe, yet cannot you make it. |
| Hamlet | Ham V.ii.243 | I have a voice and precedent of peace | I haue a voyce, and president of peace |
| Hamlet | Ham V.ii.350 | On Fortinbras. He has my dying voice. | On Fortinbras, he ha's my dying voyce, |
| Hamlet | Ham V.ii.386 | And from his mouth whose voice will draw on more. | And from his mouth / Whose voyce will draw on more: |
| Henry IV Part 1 | 1H4 II.ii.49 | O, 'tis our setter, I know his voice. Bardolph, what | O 'tis our Setter, I know his voyce: Bardolfe, what |
| Henry IV Part 2 | 2H4 I.ii.184 | an increasing belly? Is not your voice broken, your wind | an incresing belly? Is not your voice broken? your winde |
| Henry IV Part 2 | 2H4 I.ii.190 | round belly. For my voice, I have lost it with hallooing, | round belly. For my voice, I haue lost it with hallowing |
| Henry IV Part 2 | 2H4 III.i.93 | Rumour doth double, like the voice and echo, | Rumor doth double, like the Voice, and Eccho, |
| Henry IV Part 2 | 2H4 IV.i.134 | For all the country, in a general voice, | For all the Countrey, in a generall voyce, |
| Henry IV Part 2 | 2H4 IV.ii.19 | To us th' imagined voice of God himself, | To vs, th' imagine Voyce of Heauen it selfe: |
| Henry IV Part 2 | 2H4 IV.iii.99 | delectable shapes, which delivered o'er to the voice, the | delectable shapes; which deliuer'd o're to the Voyce, the |
| Henry IV Part 2 | 2H4 V.ii.119 | My voice shall sound as you do prompt mine ear, | My voice shall sound, as you do prompt mine eare, |
| Henry V | H5 II.ii.113 | Hath got the voice in hell for excellence. | Hath got the voyce in hell for excellence: |
| Henry V | H5 III.vi.45 | Therefore go speak – the Duke will hear thy voice; | Therefore goe speake, the Duke will heare thy voyce; |
| Henry V | H5 III.vi.121 | ripe. Now we speak upon our cue, and our voice is | ripe. Now wee speake vpon our Q. and our voyce is |
| Henry V | H5 IV.i.299.2 | My brother Gloucester's voice? Ay, | My Brother Gloucesters voyce? I: |
| Henry V | H5 IV.iv.66 | I did never know so full a voice issue from so empty a | I did neuer know so full a voyce issue from so emptie a |
| Henry V | H5 V.ii.93 | Haply a woman's voice may do some good, | Happily a Womans Voyce may doe some good, |
| Henry V | H5 V.ii.241 | music – for thy voice is music, and thy English broken; | Musick; for thy Voyce is Musick, and thy English broken: |
| Henry V | H5 V.ii.283 | is not smooth; so that, having neither the voice nor the | is not smooth: so that hauing neyther the Voyce nor the |
| Henry VI Part 1 | 1H6 I.iii.16 | Lieutenant, is it you whose voice I hear? | Lieutenant, is it you whose voyce I heare? |
| Henry VI Part 1 | 1H6 IV.i.182 | Well didst thou, Richard, to suppress thy voice; | Well didst thou Richard to suppresse thy voice: |
| Henry VI Part 1 | 1H6 V.iv.121 | The hollow passage of my poisoned voice, | The hollow passage of my poyson'd voyce, |
| Henry VI Part 2 | 2H6 I.i.36 | Lords, with one cheerful voice welcome my love. | Lords, with one cheerefull voice, Welcome my Loue. |
| Henry VI Part 2 | 2H6 I.i.158 | Clapping their hands and crying with loud voice | Clapping their hands, and crying with loud voyce, |
| Henry VI Part 2 | 2H6 II.i.93 | Myself have heard a voice to call him so. | my selfe haue heard a Voyce, / To call him so. |
| Henry VI Part 3 | 3H6 I.iv.76 | Dicky your boy, that with his grumbling voice | Dickie, your Boy, that with his grumbling voyce |
| Henry VIII | H8 I.ii.70 | A single voice, and that not passed me but | A single voice, and that not past me, but |
| Henry VIII | H8 I.iv.50.2 | What warlike voice, | What warlike voyce, |
| Henry VIII | H8 II.ii.86 | Your scruple to the voice of Christendom. | Your scruple to the voyce of Christendome: |
| Henry VIII | H8 III.ii.405 | Going to chapel, and the voice is now | Going to Chappell: and the voyce is now |
| Henry VIII | H8 IV.ii.11.2 | Well, the voice goes, madam: | Well, the voyce goes Madam, |
| Henry VIII | H8 V.iii.175 | The common voice, I see, is verified | The common voyce I see is verified |
| Julius Caesar | JC I.iii.41.3 | Casca, by your voice. | Caska, by your Voyce. |
| Julius Caesar | JC III.i.49 | Is there no voice more worthy than my own, | Is there no voyce more worthy then my owne, |
| Julius Caesar | JC III.i.177 | Your voice shall be as strong as any man's | Your voyce shall be as strong as any mans, |
| Julius Caesar | JC III.i.261 | To beg the voice and utterance of my tongue – | To begge the voyce and vtterance of my Tongue) |
| Julius Caesar | JC III.i.272 | Shall in these confines with a monarch's voice | Shall in these Confines, with a Monarkes voyce, |
| Julius Caesar | JC IV.i.16 | And took his voice who should be pricked to die | And tooke his voyce who should be prickt to dye |
| King Edward III | E3 II.i.26 | Her voice more silver every word than other, | Her voice more siluer euery word then other, |
| King Edward III | E3 II.i.107 | Her voice to music or the nightingale – | Her voice to musicke or the nightingale, |
| King Edward III | E3 V.i.105 | So must my voice be tragical again, | So must my voice be tragicall againe, |
| King John | KJ III.iv.41 | Which cannot hear a lady's feeble voice, | Which cannot heare a Ladies feeble voyce, |
| King John | KJ V.ii.145 | Thinking his voice an armed Englishman – | Thinking this voyce an armed Englishman. |
| King Lear | KL III.vi.29 | The foul fiend haunts Poor Tom in the voice of a | |
| King Lear | KL IV.vi.7 | Methinks thy voice is altered, and thou speak'st | Me thinkes thy voyce is alter'd, and thou speak'st |
| King Lear | KL IV.vi.95 | I know that voice. | I know that voice. |
| King Lear | KL IV.vi.106 | The trick of that voice I do well remember. | The tricke of that voyce, I do well remember: |
| King Lear | KL V.iii.270 | What is't thou sayest? Her voice was ever soft, | What is't thou saist? Her voice was euer soft, |
| Love's Labour's Lost | LLL IV.ii.115 | Thy eye Jove's lightning bears, thy voice his dreadful thunder, | Thy eye Ioues lightning beares, thy voyce his dreadfull thunder. |
| Love's Labour's Lost | LLL IV.iii.320 | And when Love speaks, the voice of all the gods | And when Loue speakes, the voyce of all the Gods, |
| Macbeth | Mac II.ii.35 | Methought I heard a voice cry, ‘ Sleep no more! | Me thought I heard a voyce cry, Sleep no more: |
| Macbeth | Mac V.vi.46 | My voice is in my sword, thou bloodier villain | My voice is in my Sword, thou bloodier Villaine |
| Measure for Measure | MM I.ii.179 | Implore her, in my voice, that she make friends | Implore her, in my voice, that she make friends |
| Measure for Measure | MM I.iv.7 | It is a man's voice. Gentle Isabella, | It is a mans voice: gentle Isabella |
| Measure for Measure | MM II.iv.61 | I, now the voice of the recorded law, | I (now the voyce of the recorded Law) |
| Measure for Measure | MM III.i.90 | Did utter forth a voice. Yes, thou must die. | Did vtter forth a voice. Yes, thou must die: |
| Measure for Measure | MM V.i.326 | I remember you, sir, by the sound of your voice. I | I remember you Sir, by the sound of your voice, / I |
| The Merchant of Venice | MV II.ii.168 | Thou art too wild, too rude and bold of voice, | Thou art to wilde, to rude, and bold of voyce, |
| The Merchant of Venice | MV III.ii.76 | But being seasoned with a gracious voice, | But being season'd with a gracious voice, |
| The Merchant of Venice | MV III.ii.81 | There is no vice so simple but assumes | There is no voice so simple, but assumes |
| The Merchant of Venice | MV III.iv.67 | With a reed voice, and turn two mincing steps | With a reede voyce, and turne two minsing steps |
| The Merchant of Venice | MV IV.i.353 | Of the Duke only, 'gainst all other voice, | Of the Duke onely, gainst all other voice. |
| The Merchant of Venice | MV V.i.110.2 | That is the voice, | That is the voice, |
| The Merchant of Venice | MV V.i.113.1 | By the bad voice. | by the bad voice? |
| The Merry Wives of Windsor | MW I.iii.42 | the action of her familiar style; and the hardest voice | the action of her familier stile, & the hardest voice |
| The Merry Wives of Windsor | MW I.iv.151 | for thee; let me have thy voice in my behalf. If thou | for thee: Let mee haue thy voice in my behalfe: if thou |
| A Midsummer Night's Dream | MND I.i.31 | With feigning voice verses of feigning love, | With faining voice, verses of faining loue, |
| A Midsummer Night's Dream | MND I.i.54 | But in this kind, wanting your father's voice, | But in this kinde, wanting your fathers voyce. |
| A Midsummer Night's Dream | MND I.i.188 | My ear should catch your voice, my eye your eye, | My eare should catch your voice, my eye, your eye, |
| A Midsummer Night's Dream | MND I.ii.48 | I'll speak in a monstrous little voice: ‘ Thisne, Thisne!’ | Ile speake in a monstrous little voyce; Thisne, Thisne, |
| A Midsummer Night's Dream | MND I.ii.76 | but to hang us. But I will aggravate my voice so | but to hang vs: but I will aggrauate my voyce so, |
| A Midsummer Night's Dream | MND III.i.79 | But hark, a voice. Stay thou but here awhile, | But harke, a voyce: stay thou but here a while, |
| A Midsummer Night's Dream | MND III.ii.402.1 | (in Demetrius's voice) | |
| A Midsummer Night's Dream | MND III.ii.403 | (in Demetrius's voice) | |
| A Midsummer Night's Dream | MND III.ii.407 | (in Lysander's voice) | |
| A Midsummer Night's Dream | MND III.ii.412 | (in Lysander's voice) | |
| A Midsummer Night's Dream | MND III.ii.412 | Follow my voice. We'll try no manhood here. | Follow my voice, we'l try no manhood here. |
| A Midsummer Night's Dream | MND III.ii.421 | (in Lysander's voice) | |
| A Midsummer Night's Dream | MND III.ii.425 | (in Lysander's voice) | |
| A Midsummer Night's Dream | MND IV.ii.12 | paramour for a sweet voice. | Paramour, for a sweet voyce. |
| A Midsummer Night's Dream | MND V.i.189 | I see a voice. Now will I to the chink | I see a voyce; now will I to the chinke, |
| Much Ado About Nothing | MA II.iii.42 | O, good my lord, tax not so bad a voice | O good my Lord, taxe not so bad a voyce, |
| Much Ado About Nothing | MA II.iii.82 | God his bad voice bode no mischief. I had as lief have | God his bad voyce bode no mischiefe, I had as liefe haue |
| Othello | Oth I.i.94 | Most reverend signor, do you know my voice? | Most reuerend Signior, do you know my voice? |
| Othello | Oth I.ii.13 | And hath in his effect a voice potential | And hath in his effect a voice potentiall |
| Othello | Oth I.iii.223 | of effects, throws a more safer voice on you. You | of Effects, throwes a more safer voice on you: you |
| Othello | Oth I.iii.243 | And let me find a charter in your voice | And let me finde a Charter in your voice |
| Othello | Oth I.iii.257 | Let her have your voice. | Let her haue your voice. |
| Othello | Oth V.i.28 | The voice of Cassio: Iago keeps his word. | The voyce of Cassio, Iago keepes his word. |
| Othello | Oth V.ii.120 | Out and alas, that was my lady's voice! | Out, and alas, that was my Ladies voice. |
| Pericles | Per IV.ii.90 | I have drawn her picture with my voice. | I haue drawne her picture with my voice. |
| Pericles | Per V.iii.13.2 | Voice and favour! | Voyce and fauour, |
| Pericles | Per V.iii.34.2 | The voice of dead Thaisa! | The voyce of dead Thaisa. |
| Richard III | R3 I.iv.170 | Thy voice is thunder, but thy looks are humble. | Thy voice is Thunder, but thy looks are humble. |
| Richard III | R3 I.iv.171 | My voice is now the King's, my looks mine own. | My voice is now the Kings, my lookes mine owne. |
| Richard III | R3 III.ii.53 | But that I'll give my voice on Richard's side | But, that Ile giue my voice on Richards side, |
| Richard III | R3 III.iv.19 | And in the Duke's behalf I'll give my voice, | And in the Dukes behalfe Ile giue my Voice, |
| Richard III | R3 III.iv.28 | I mean, your voice for crowning of the King. | I meane your Voice, for Crowning of the King. |
| Richard III | R3 IV.iv.17 | So many miseries have crazed my voice | So many miseries haue craz'd my voyce, |
| Romeo and Juliet | RJ I.ii.19 | Lies my consent and fair according voice. | Lyes my consent, and faire according voice: |
| Romeo and Juliet | RJ I.v.54 | This, by his voice, should be a Montague. | This by his voice, should be a Mountague. |
| Romeo and Juliet | RJ II.ii.158 | Hist! Romeo, hist! O for a falconer's voice, | Hist Romeo hist: O for a Falkners voice, |
| Romeo and Juliet | RJ III.v.33 | Since arm from arm that voice doth us affray, | Since arme from arme that voyce doth vs affray, |
| Romeo and Juliet | RJ V.ii.2 | This same should be the voice of Friar John. | This same should be the voice of Frier Iohn. |
| The Taming of the Shrew | TS induction.1.130 | Voice, gait, and action of a gentlewoman. | Voice, gate, and action of a Gentlewoman: |
| The Tempest | Tem II.ii.86 | I should know that voice. It should be – but | I should know that voyce: It should be, But |
| The Tempest | Tem II.ii.89 | monster. His forward voice now is to speak well of his | Monster: his forward voyce now is to speake well of his |
| The Tempest | Tem II.ii.90 | friend. His backward voice is to utter foul speeches and | friend; his backward voice, is to vtter foule speeches, and |
| Timon of Athens | Tim II.ii.209 | They answer, in a joint and corporate voice, | They answer in a ioynt and corporate voice, |
| Timon of Athens | Tim III.v.1 | My lord, you have my voice to't; the fault's bloody. | My Lord, you haue my voyce, too't, / The faults Bloody: |
| Timon of Athens | Tim IV.iii.154 | And mar men's spurring. Crack the lawyer's voice, | And marre mens spurring. Cracke the Lawyers voyce, |
| Titus Andronicus | Tit I.i.21 | A special party, have by common voice | A speciall Party, haue by Common voyce |
| Titus Andronicus | Tit V.iii.139 | The common voice do cry it shall be so. | The common voyce do cry it shall be so. |
| Troilus and Cressida | TC prologue.24 | Of author's pen or actor's voice, but suited | Of Authors pen, or Actors voyce; but suited |
| Troilus and Cressida | TC I.i.55 | Her eyes, her hair, her cheek, her gait, her voice; | Her Eyes, her Haire, her Cheeke, her Gate, her Voice, |
| Troilus and Cressida | TC I.iii.187 | With an imperial voice, many are infect. | With an Imperiall voyce, many are infect: |
| Troilus and Cressida | TC I.iii.221 | 'Fore all the Greekish lords, which with one voice | 'Fore all the Greekish heads, which with one voyce |
| Troilus and Cressida | TC I.iii.257 | Send thy brass voice through all these lazy tents; | Send thy Brasse voyce through all these lazie Tents, |
| Troilus and Cressida | TC II.ii.99 | 'Tis our mad sister. I do know her voice. | 'Tis our mad sister, I do know her voyce. |
| Troilus and Cressida | TC II.ii.173 | Have ears more deaf than adders to the voice | Haue eares more deafe then Adders, to the voyce |
| Troilus and Cressida | TC II.iii.139 | In second voice we'll not be satisfied; | In second voyce weele not be satisfied, |
| Troilus and Cressida | TC III.ii.86 | They that have the voice of lions and the act of hares, | They that haue the voyce of Lyons, and the act of Hares: |
| Troilus and Cressida | TC III.iii.121 | The voice again; or, like a gate of steel | The voyce againe; or like a gate of steele, |
| Troilus and Cressida | TC IV.ii.107 | Crack my clear voice with sobs, and break my heart | Cracke my cleere voyce with sobs, and breake my heart |
| Troilus and Cressida | TC IV.v.70 | By any voice or order of the field? | By any voyce, or order of the field: |
| Troilus and Cressida | TC V.iii.74 | To take that course by your consent and voice, | To take that course by your consent and voice, |
| Twelfth Night | TN II.iii.51 | A mellifluous voice, as I am true knight. | A mellifluous voyce, as I am true knight. |
| Twelfth Night | TN II.iii.90 | voice? Is there no respect of place, persons, nor time in | voice? Is there no respect of place, persons, nor time in |
| Twelfth Night | TN III.i.85 | My matter hath no voice, lady, but to your own | My matter hath no voice Lady, but to your owne |
| Twelfth Night | TN III.iv.344 | Nor know I you by voice or any feature. | Nor know I you by voyce, or any feature: |
| Twelfth Night | TN IV.ii.65 | To him in thine own voice, and bring me word | To him in thine owne voyce, and bring me word |
| Twelfth Night | TN IV.ii.95 | (In priest's voice) Malvolio, Malvolio, thy wits the | Maluolio, Maluolio, thy wittes the |
| Twelfth Night | TN IV.ii.100 | voice) Who, I, sir? Not I, sir. God buy you, good Sir | Who I sir, not I sir. God buy you good sir |
| Twelfth Night | TN IV.ii.101 | Topas! (In priest's voice) Marry, amen! (In own voice) | Topas: Marry Amen. |
| Twelfth Night | TN V.i.213 | One face, one voice, one habit, and two persons! | One face, one voice, one habit, and two persons, |
| The Two Gentlemen of Verona | TG IV.ii.86 | You would quickly learn to know him by his voice. | You would quickly learne to know him by his voice. |
| The Two Noble Kinsmen | TNK IV.i.56 | I heard a voice, a shrill one; and attentive | I heard a voyce, a shrill one, and attentive |
| The Two Noble Kinsmen | TNK V.ii.14 | I have no voice, sir, to confirm her that way. | I have no voice Sir, to confirme her that way. |
| The Winter's Tale | WT III.i.9 | And the ear-deaf'ning voice o'th' oracle, | And the eare-deaff'ning Voyce o'th' Oracle, |